Meurtrière Digitale

This series transposes the principle of the medieval arrow slit into a contemporary context.

Concrete, used as an architectural material and as a touch screen, frames an opening through which the digital world appears, materialized by cubic resin modules.

The viewer stands inside, watching an ambiguous digital outside: tool or threat, ally or enemy.

The two versions, Old Wørld and New Wørld, introduce a time dimension, suggesting that the digital crosses generations and eras.